By Frédéric Chopin, ed. Alfred Cortot
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Additional resources for 12 Études op. 10
How many half steps equal a perfect 4th? ___________ 6. Write the cycle of fourths beginning with D, G, C, __________________________ 7. Where does a V7 chord usually resolve to? ___________ 8. Can a II chord sometimes be a dominant 7th instead of minor? Yes ____ No ____ 9. Write a Bb Blues progression. Be sure to use a II/V7/I in the last four bars. 10. Name the b9 and the +9 in the key of Bb. ___________ ___________ 11. F# is the raised 4th of what scale? ___________ 12. If Db is I, what is II?
13. COLLECTIVE IMPROVISATION WAS EXCLUSIVELY BETWEEN THE SOLOIST AND THE RHYTHM SECTION. 14. BEBOP WAS PRIMARILY A SMALL BAND MUSIC, BUT FOUND SOME EXPRESSION IN A FEW SELECT BIG BANDS. 15. A BROADENED CONCEPT OF CHORD SUBSTITUTION CAME INTO BEING; THIS HELPED TO PROVIDE A BROADER HARMONIC BASE. 16. THE MUSIC MOVED EVER CLOSER TO WESTERN EUROPEAN MUSIC BECAUSE OF ITS EMPHASIS ON HARMONY AND INSTRUMENTAL FACILITY AND ITS INCREASING USE OF OTHER WESTERN MUSICAL DEVICES. 17. THE ENTIRE LANGUAGE OF JAZZ WAS QUESTIONED, SUBTRACTED FROM, ADDED TO, PURGED, AND REAFFIRMED.
Sit at a keyboard and explore. Play an arpeggio and keep it going in your head (mentally) while you sing a melody based on that chord. Sing a 12-bar blues (it’s not that hard) just think and sing while driving or waiting for a bus. Move a blues up a half step and back down, just think of exercises - it will make it easier when you get to the practice room. Don’t spend practice time on ear training, chord spelling and other exercises that you can do while commuting or in the shower. In this way you will get the most musical training out of your day.