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E. Sharpe. Berry, Michael. 2008. The History of Pain: Trauma in Modern Chinese Literature and Film. New York: Columbia University Press. Birch, Cyril. Ed. 1972. Anthology of Chinese Literature. 2 vols. New York: Grove Press. Braester, Yomi. 2003. Witness against History: Literature, Film and Public Discourse in Twentieth‐ Century China. Stanford, CA: Stanford University Press. Button, Peter. 2009. Configurations of the Real in Chinese Literary and Aesthetic Modernity. Leiden: Brill. Cai, Rong. 2004.

Eds. 1976. Revolutionary Literature in China: An Anthology. White Plains, NY: M. E. Sharpe. Berry, Michael. 2008. The History of Pain: Trauma in Modern Chinese Literature and Film. New York: Columbia University Press. Birch, Cyril. Ed. 1972. Anthology of Chinese Literature. 2 vols. New York: Grove Press. Braester, Yomi. 2003. Witness against History: Literature, Film and Public Discourse in Twentieth‐ Century China. Stanford, CA: Stanford University Press. Button, Peter. 2009. Configurations of the Real in Chinese Literary and Aesthetic Modernity.

Cambridge, MA: Harvard University Press. Groppe, Alison. 2013. Sinophone Malaysian Literature: Not Made in China. Amherst, NY: Cambria Press. Gunn, Edward M. 1980. Unwelcome Muse: Chinese Literature in Shanghai and Peking, 1937–1945. New York: Columbia University Press. Gunn, Edward M. 1991. Rewriting Chinese: Style and Innovation in Twentieth‐Century Chinese Prose. Stanford, CA: Stanford University Press. Gunn, Edward M. 2006. Rendering the Regional: Local Language in Contemporary Chinese Media.

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