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Historical past of an archive for generating, networking, curating, and learning paintings in view that 1970.

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The series containing the Hungarian translation of articles and studies about corres­p on­dence art was published to prepare the first exhibition of Hungarian mail artists. ) [Swierkiewicz Róbert]: Önfejtágító – Mail Art Project, artist’s publi­c a­ tion, Országos Grafikai Műhely, Vác, 1992 ARTWORKS: in Artpool’s collection (except the material of the project “Önfejtágító” [Substitu­ table Self-portrait]) ■ BIBLIOGRAPHY: Poolwindow, No. 7 (March 1981) and No. 10. (May 1981) Bán András: Művészet és Posta.

We arranged an exhibition for G. A. ” Another type of institution was the Buda Ray University,2 which built on my correspondence with Ray Johnson between 1982 and 1994. ) The 15 exhibitions based on facsimiles of the correspondence were shown in many countries (Italy, Canada, Ireland, Hungary, Netherlands, Slovakia, and France), and the ever-growing number of participants reached 316. We supplemented the mail-contact data with personal documents through two European art travel projects (Artpool’s Art Tour 1979, 1982), then published all this in samizdat (Artpool Radio no.

The drawing or the letter? The demand wasn’t clear to me, so I decided not to passively deliver the letter, instead I wished to become a part of the action, so I photocopied the drawing. There were four numbered Fan Club stamps on the drawing, with four characteristic “bunnies,” I thought I should rearrange them, in this way, allowing for further additions. A RT P OO L E V ENTS 1 9 7 9 – 1 9 9 1 Some of the postcard-collages by György Galántai sent to Ray Johnson (1982) BUDA RAY UNIVERSITY A new decision was next: For the upcoming “ARTPOOL’s RAY JOHNSON SPACE,” I would invent a background institution, the “BUDA RAY UNIVERSITY” (modeled on the Buddha University).

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