Download Brazilian Piano - Choro, Samba, and Bossa Nova: Hal Leonard by Robert Willey, Alfredo. Cardim PDF

By Robert Willey, Alfredo. Cardim

Brazilian Piano teaches components of a few of the main attractive Brazilian musical kinds: choro, samba, and bossa nova. It begins with rhythmic education to improve the basic groove of Brazilian track. subsequent, examples building up a rhythmic and harmonic vocabulary that may be used while enjoying the unique songs that keep on with. along with delivering audio for the examples within the e-book, the CD comprises ensemble recordings that let you improvise during the center refrain. extra models of the ensemble tunes are integrated at the CD-ROM component to the disc, obtainable through machine. positive factors artist interviews and bios.

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Extra resources for Brazilian Piano - Choro, Samba, and Bossa Nova: Hal Leonard Keyboard Style Series

Sample text

I - r=-- - I - I (e """'--J -e-£1 I - - I • ~(j I ~ ..... , I - •-fl. - ~ _a_~ , I ~ I . I > I"" I'" 1- ~ ... .. I fJ. - pSflSd -e-a ~ I 1- .. _a_~ I - , I - •Ill I ""il - I I"" .. I . • - > •• 11 (e v 5. Working Overtime Our final example in this chapter is in the blues-rock style of "Takin' Care of Business" by BachmanTumer Overdrive, with Norman Durkee on piano. This is a straight-eighths groove in the key of A major, recorded with an acoustic piano sound. Throughout this piece, the left hand is playing a driving root-5th, root-6th interval pattern, a staple of blues-rock piano styles.

Gm C/E .... __......... __...... _ - . , [9 33 D AjD D AjD F G/D BDsus2 BD -e- c BD BDsus2 BD Csus4 c CjF BD/F F C/E Dm Dsus2 Dm Gm/BD BD "U Csus4 -,;-•- -e- "U D Csus4 • C/E -u- -u- 41 BD D -u- -u- 37 GjD ='--~ '~ c Gsus4 Gm Am Dm "U Dsus2 Dsus4 Dm Dsus2 c "U 47 Coda Dm Dm Dsus2 Dsus2 Dsus4 Dsus4 Dm Dm Csus4 Csus4 c c B~sus2 c B~sus2 c Dm 2. Shooting Star Next up is an alternative rock example in the style of "Drops of Jupiter" by Train, with Brandon Bush on piano). This is a 16th-note groove in the key of C major, recorded with an acoustic piano sound.

_ ... ""ill ·~'-' i ___ i . "-' ~ ,=6 - ... ---. 6£ . ~ ,:::=:::, ==:::::::==:::::~ (t v. 3. Thinking About Tomorrow Our next example is in the classic rock style of "Don't Stop" by Fleetwood Mac. This is a swing-eighths (shuffle) groove in the key of E major, recorded with an acoustic piano sound. In the first A section we are using a bass pedal tone (similar to Tracks 64/65 in Chapter 4), alternating different triads in the right hand over a repeated bass note of E in the left hand.

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