By J. J. Cale
A set from the most influential songwriters and guitar gamers on the earth. that includes ""Cocaine"" and ""After Midnight,"" made recognized during the international via Eric Clapton, this folio includes all of J.J. Cale's chart-topping hits. different titles comprise: name Me the Breeze * loopy Mama * Magnolia * Lies * hour of darkness in Memphis * Cajun Moon * hiya child * i will Make like to You each time * do not Cry Sister * 13.
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Extra info for The Very Best of J.J. Cale: Guitar Tablature Vocal
W___ _ j# ------------- 1 molto dolce Example 43 This laconic episode impresses one (as was undoubtedly the composer’s intention) with the fact that it contains material not previously found in any of the themes comprising the work, namely the melodic element presented as an accentuated period of sound—a simultaneous rendition of an octave by the first and second violins and violas (a textural element). Lastly, it is marked molto dolce (very gently), which one seldom encounters in Brahms.
3 (measures 6 and 7). The melodies of the Mazurka in В-flat Minor, op. 24, no. 4 (measures 10 and 12) also reflect this motif: i--------------------------------I r f i -гк -к г-я ------------------------f ------- r r — Г— LJ— і m* _______ ф ________ q# Г ________ ff________ т л \Р } -----------------------w y P 4 -------- ____________ 1________ 4 — p ------------ 1 i 1 Example 52 In speaking of the similarity between Ukrainian songs and the given example, I have in mind the movement of the leading tone not toward the tonic, but through Ukrainian Musical Elements in Classical Music 55 the second tone of the mode.
He fell under the influence of two major, but very different masters of twentieth-century music—Gustav Mahler and Bela Bartok. Petyrek wrote and published a collection entitled 24 Ukrainische Volksweisen fur Klavier zu zwei Handen (Twenty-four Ukrainian Folk Melodies for Piano Two Hands; Vienna and Leipzig: Universal Edition, 1920). The short introduc tion to the collection was given in both Ukrainian and German, as were the title page, the title of each piece, tempo indications, and even individual remarks throughout the musical score.