By Pat Warren
Retail ePub, booklet 7 of 12 from multi-author sequence, ebook #1058 of bigger sequence through Silhouette Intimate Moments
THE AGENT: Jeff Kirby, M.D. within the making
THE challenge: ensuring his appealing bride lives to work out their marriage ceremony vows through!
THE HEARTBREAKING fact: Married in haste, Jeff and Tish have been extra strangers than guy and wife....
They had married in mystery, undercover brokers with not anything to lose—except probably the affection of a life-time. For although Jeff Kirby attempted to maintain Tish Buckner through his aspect, tragedy tore the newlyweds aside. Now Tish's lifestyles hung within the stability, and Jeff hoped opposed to wish that he and Tish might get a moment probability on the existence they as soon as dreamed of. simply because this time, the made up our minds M.D. wouldn't allow his girl escape!
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Additional resources for The Way We Wed (A Year of Loving Dangerously, Book 10)
O La. tin Rock start witha downwardsweepto playthe D minortriad,then bendthe firstnoteof eachhalf-note triplet. Thisone has a lot of Santanain it. DmiT g N -^. pay carefulattentionto the slurs! 0 @ Lou. is. i. an. Thereare manyvariations in the openE position. lt includesthe use of the major7th arpeggiowiththe added#11spreadout overtwo octaves. Ama71*11; ,^. aAA/tAA 4IAA'i'AAA 'f @ Ma. jorii. V. On the V chord,you havea nicedescending linethatcapturesthe colorof a bg, f g, and f,5. ma:. CmalT MarotionooLike This is a double-timeii-V-llick.
To give this rickextraattitude,hit the rowc hardanct slideintoit. Like This gracefulii-V-l lick is in the styleof the greatWes Montgomery. Masteringnoteresolution is one of the secretsof jazz. L i k e i i . V . I Here'sanotherneatlickinspiredby Wes Montgomery. The ideais to use a b5 sub overthe BbZchordin otherwords,playingan Ebl soundas a substitute for the Bb7. sbl @ EbmaT EbmaT West. CoastBlues Noticehowthe secondmeasureof this blues-based lickis nearlyidenticalto the first;this is a technique you can useto makeup yourown licks.
On the V chord,you havea nicedescending linethatcapturesthe colorof a bg, f g, and f,5. ma:. CmalT MarotionooLike This is a double-timeii-V-llick. Onceyourlefthandis in fifthposition,the restof the linefallsintoplace. CmiT Bbmaj o ( cont d) Me. lod. ic Mi. lt alsodoesso in a melodicway-with interesting intervals. (f3) 36 O Me. lod. ic Mi. A melodic minorscaleplayed upa halfstepfromthedominant chordcreates thesoundwealsocallthealtered scate. D71il9; @ M"t. playthisone witha lot pull-offs. This kindof picking,very mucha partof the Methenystyle,can increaseyourspeedand legatofeel.