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Sample text

O La. tin Rock start witha downwardsweepto playthe D minortriad,then bendthe firstnoteof eachhalf-note triplet. Thisone has a lot of Santanain it. DmiT g N -^. pay carefulattentionto the slurs! 0 @ Lou. is. i. an. Thereare manyvariations in the openE position. lt includesthe use of the major7th arpeggiowiththe added#11spreadout overtwo octaves. Ama71*11; ,^. aAA/tAA 4IAA'i'AAA 'f @ Ma. jorii. V. On the V chord,you havea nicedescending linethatcapturesthe colorof a bg, f g, and f,5. ma:. CmalT MarotionooLike This is a double-timeii-V-llick.

To give this rickextraattitude,hit the rowc hardanct slideintoit. Like This gracefulii-V-l lick is in the styleof the greatWes Montgomery. Masteringnoteresolution is one of the secretsof jazz. L i k e i i . V . I Here'sanotherneatlickinspiredby Wes Montgomery. The ideais to use a b5 sub overthe BbZchordin otherwords,playingan Ebl soundas a substitute for the Bb7. sbl @ EbmaT EbmaT West. CoastBlues Noticehowthe secondmeasureof this blues-based lickis nearlyidenticalto the first;this is a technique you can useto makeup yourown licks.

On the V chord,you havea nicedescending linethatcapturesthe colorof a bg, f g, and f,5. ma:. CmalT MarotionooLike This is a double-timeii-V-llick. Onceyourlefthandis in fifthposition,the restof the linefallsintoplace. CmiT Bbmaj o ( cont d) Me. lod. ic Mi. lt alsodoesso in a melodicway-with interesting intervals. (f3) 36 O Me. lod. ic Mi. A melodic minorscaleplayed upa halfstepfromthedominant chordcreates thesoundwealsocallthealtered scate. D71il9; @ M"t. playthisone witha lot pull-offs. This kindof picking,very mucha partof the Methenystyle,can increaseyourspeedand legatofeel.

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